|Left-facing journal page to yesterday's page, in my Little Gluebook of Wisdom journal.|
Vintage is not my natural style, so it may seem weird or odd that I would choose two classes that emphasize it. What studying Vintage collage does for me is that it forces me to calm down and simplify my own style. My vintage pieces are always going to be more colorful than the traditional, because color is my art oxygen. But that's okay because it is me.
In doing this page, I discovered a tip for covering up gluedots under vellum -- gelpen or viva decor pen little dots of color on top of the vellum where each gluedot is! For years I have wished for an easy way to conceal them. When the style allows, this idea is easily implemented and adds interest, too. In the future, I will add my gelpen dots to the front of the vellum first. If they need to be linear and neat, this is easily accomplished with a ruler or stitching template. Then, I have a perfect guide for where to apply the gluedots on the back, all hidden.
Now, a word about the balance of my design. This was one of those pages that was begun with some papers that color-complemented the facing page, a couple of quotes and the collage sheet image of the woman (by Digital Collage Sheets from my stash). As I read more of Mary's lessons, I chose some german scrap pieces in various sizes to add. But the design of this facing page needed to complement the first page as well as stand on its own. So it took me a while, arranging the elements. I finally decided this layout was pleasing enough and did justice enough to eye movement, color distribution, and proportion. And when you see the entire spread, it is pleasing to the eye as well as sensical. Score! If not a superior mark, then a passing grade, certainly. Here, I merged the two in PSE for you to see:
|This is what the spread open in my journal looks like.|