Greetings on International Women's Day!
And it's also the first day of Daylight Savings Time here.
The weather here is perfectly dreadful, everything is dripping with humidity, rain clouds through tomorrow, then a few days of respite, then rinse and repeat.
I used official Frida Kahlo Corporation stamps on this which came with Issue 120 of Creative Stamping Magazine. I stamped them with Nocturne Versafine Clair ink and heat-embossed with clear powder. I colored the images with various Promarkers and Tombow watercolor markers and accented with gel pens. I used Twisted Citron Distress Ink and a Bare Branches stencil from A Colorful Life to add the background. Frida used thorns to represent her pain and broken crippled body, so I thought it an appropriate motif. I then ink-distressed the edges with Hickory Smoke Distress Ink and after it all dried I scanned it into PSE and added the text and dark grey frame.
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I went full-on Frida Kahlo for this and let me tell you why.
There is a new traveling exhibit at Houston's Museum of Fine Arts called "Frida: The Making of an Icon". What it is not is just a retrospective of her works. What it attempts to answer is how she became a worldwide pop culture icon. It's based on THIS BOOK and is curated by the book's author. It began in January and runs through May, after which it goes to London. And the curated shows are all completely sold out, but I am lucky to know someone who has volunteered there for years, so I got to watch a DVD of the curation. They filmed a dress rehearsal to make sure the curator could be understood and also to help the docents understand the exhibit and the ushers know when and where to move the crowd. That's pretty cool that they do that nowadays. Anyway, my friend invited me over to watch it with her. Thanks to my friend who lent me her copy, I'd already read the book, so no real surprises really, other than the size of her artworks. Some I had thought were huge were really small and vice versa. I don't know if this link will work for you because The Houston Chronicle has a pay wall. I subscribe, so I am sharing their sneak peek HERE.
After I came home from watching it, I was inspired to create this art journal spread in my Little Book of Wisdom journal. (I have 5-6 spreads left to finish). I would share it over at Art Journal Journey, but I would feel bad not visiting the other entries and I just don't have enough time for that right now, unfortunately. Plus, I swore off challenges in order to create more art time and that has worked for me. Vicious circle, it is, no matter what.
I used Dylusions and Tim Holtz stencils with black and white paints, a few stickers from my Antiquarian Sticker Book, painted die cut flowers, enamel dots, my handwritten journaling, some grungy black paint smudging on the edges and a printed quote of hers.
This is how the spread looked when I began, previously painted with a gesso base and then leftover acrylics. I chose this one because it reminded me of the Mexican flag and their colors. Frida was a tireless advocate for Mexicans being proud of their indigenous heritage and unique qualities. She grew up during The Mexican Revolution and its aftermath, and there was a movement to rid or at least mitigate the European influences in their culture (which many newly liberated countries attempt in order to develop their own national character). This is why Frida dressed the way she did and even why she grew her unibrow and let her mustache show, because those were symbols of Mexican indigenous feminine beauty. She saw herself and husband Diego as ambassadors of a new self-governing indigenous nation whose people did not look like their oppressors, the refined fair and blonde Europeans (nor Americans, for that matter). For my focal image, I used this very old napkin. I have no idea anymore where it came from so if you want to save a copy, go for it.
The book is not a biography; it's more of a study of her posthumous influence across generations and genres. It really helped me understand her motivations and ambition better. I learned quite a lot from the book I linked, but I really cannot recommend it because it's $60!!!! I'm really lucky that my friend got a huge discount on it (the author is a resident curator at MFA Houston).
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Well, that's all I have today.
Well, that's all I have today.
Next Sunday is my week to host Sunday Postcard Art and my theme is Flowers for UK Mother's Day.
See ya then, and thanks so much for the visit!
XXO












